[expand]The tree motif appeared across diverse media:
The carved wooden objects featured tree patterns—household items displayed tree imagery, the functional objects carried cosmological meanings, the carved wood was symbol bearer. The domestic carvings were everyday cosmology.
The textile embroidery wove tree forms—clothing and ceremonial textiles showed tree motifs, the woven or embroidered trees were portable symbolic presence, the fabric trees were wearable cosmology. The textile applications were mobile representations.
The metalwork incorporated tree designs—bronze ornaments displayed stylized trees, the metal trees were high-value prestige items, the metalwork was elite symbolic expression. The metal trees were status symbols.
The architectural elements featured prominent trees—roof peaks and door frames received elaborate tree carving, the structural trees were permanent building features, the architectural applications were environmental cosmology. The building trees were domestic cosmic centers.
The pottery showed simplified tree marks—ceramic vessels displayed schematic tree forms, the simplified versions were practical identification marks, the pottery trees were utilitarian symbolism. The ceramic trees were everyday markers.
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